Star Wars Quick-Takes: A New Hope- Tatooine and The House of Bread

Almost every story of redemption begins in the most hopeless of places. Perhaps it has to. Maybe that’s part of what makes a story a redemption story. Suppose Star Wars had started out on Alderaan, an epicenter of the Rebellion. It would have been an entirely different type of movie if a highly trained and educated rebel leader faced up against the Empire’s destructive symbol of power.

But we so love the stories where hope comes out of left field. Out of the places least expected. We want to follow the transformation. To hear lines like “There’ll be no escape for the princess this time”, and “Well, if there’s a bright center to the universe, you’re on the planet that it’s farthest from”, and then see them proved wrong.

That’s why Star Wars, was , has been, and continues to be so popular. It takes the hopelessness so prevalent in the world around us, and flips it on its head. It finds its heroes in the most unlikely, least desirable places.

That resonates with us. I wonder why. I have a funny feeling it began a long time ago in a little town far, far away (at least from me). The city they called The House of Bread. Bethlehem.

Star Wars Quick-Takes: Revenge of the Sith- A Shattered Mirror

Part of what made the original Star Wars trilogy so influential was the simplicity of its narrative. It was the classic hero’s journey. The first three movies told the story of Luke Skywalker’s progression from a simple farm boy to a heroic and powerful Jedi Master.

The prequel trilogy tells the opposite story. It is the tragic tale of Anakin Skywalker’s rise to power and fall from grace. Some of the most poignant moments of Revenge of the Sith are dark reflections of similar scenes from the culminating film of the original trilogy, Return of the Jedi.

Throughout Revenge of the Sith, Anakin has trouble seeing the line between good and evil. Both Chancellor Palpatine and Mace Windu are willing to kill to accomplish their goals, and encourage him to kill to further their purposes. Throughout Return of the Jedi, Luke sees clearly the delineation between good and evil. He can see the good left in his father through the evil. He knows that his conscience will not allow him to kill, in spite of the fact that the evil Emperor Palpatine is encouraging him to do so for seemingly good reasons.

The story of the first six episodes of Star Wars are also the story of Anakin Skywalker’s fall and redemption. The motif of this plot line is the mask of Darth Vader. At the end of Revenge of the Sith, Anakin’s descent into darkness is complete, and he puts on the mask for the first time. At the end of Return of the Jedi, his redemption is sealed when he takes of the mask for the last time. (I am interested to see how the motif of Darth Vader’s mask is used going forward in the new trilogy).

Whether or not you like the Star Wars prequels, it is very interesting to see how they mirror the plot of the original series, and provide a background against which its story of redemption truly shines.

Keep on glowing in the dark,
Elora

Star Wars Quick-Takes: Attack of the Clones- Blind Seers

We don’t get too much about what the Jedi Order used to be like from watching the Star Wars film, (you people who write for Wookiepedia can fill me in on the expanded universe stuff), but we get the impression that the age that the prequels are set in is far from “The Golden Age of The Jedi”. When we discussed The Phantom Menace, we took a look at how blind the Jedi Council had become to things going on outside of their ranks. In Attack of the Clones, we see the true extent of their hypocrisy and blindness.

Obi Wan Kenobi’s diner-owner friend Dex makes the poignant statement in his conversation with Obi Wan, “I should think you Jedi would have more respect for the difference between knowledge and wisdom”. This seems to be a good summary of the decay that is taking place within the Jedi Order in the prequel trilogy. They have retained knowledge, but lost wisdom.

Generally, knowledge is considered to be the cold, hard facts of a matter. The raw data, the charts, the graphs, the numbers, the word-for-word recitation, the names and dates, and technical ability. Wisdom is knowing what to do with knowledge. It is being able to see through the data, charts, graphs, and numbers to the heart of the issue. It is understanding and applying the word-for-word recitation. It is knowing the faces behind the names, and the significance behind the dates. For the main spiritual and philosophical entity in the galaxy to have lost the ability is a grave situation.

When Obi Wan goes to the Jedi Temple to investigate the planet Kamino, and discovers that it has been wiped from the databases, he is told by the temple librarian that it obviously doesn’t exist. This reflects the prevailing attitude of holding to facts without discernment. Later, when the plot to create a clone army has been uncovered, Yoda admits to this fault on the part of the Jedi leaders, “Blind we are if the creation of this clone army we could not see.”

When the spiritual leaders of a society sacrifice their wisdom for mere facts, that society is vulnerable to attack. When the artists, and thinkers, and prophets forget about wisdom and focus merely on transmitting information, crisis is inevitable. Rulers come to power who would rather that understanding remained dim; because, if the people were enlightened to the truth, these rulers would lose their authority. The masses are deceived, and the truth remains suppressed until a new group of people,who have the ability to see, rises up. The restored balance between wisdom and knowledge brings with it, well, a new hope.

Star Wars Quick-Takes: The Phantom Menace- There's Always a Bigger Fish

As all recent media has made painfully clear, we just got a new Star Wars movie less than a month ago, (not that the movie was painful at all, just the excess of marketing). So, I thought it would be a good time to re-watch the Star Wars movies, and see what themes, what little snippets of truth, I could pull from them. I’m doing them in the in-universe chronological order, so that the newest film will be last, (don’t worry, I’ll steer clear of spoilers for The Force Awakens).

A couple of Jedi Knights go to negotiate with a corrupt trade union. This is routine stuff for them, evidently. They’ll just talk them out of the blockade they’ve got going, and be on their way. But what’s this? A Sith Lord? This situation is much more complicated than they thought. Anyways, it’s still not that complicated. They’ll just fight off Darth Maul and...oh drat, he has an evil Sith Master backing him up? Shouldn’t the Jedi Council have seen this coming?

“There’s always a bigger fish”, says wise Jedi Master Qui Gon Jinn, after he, his apprentice, and a clumsy Gungan are saved from a Goober fish by something higher up on the food chain. This statement seems to be a concise summary of the plot of The Phantom Menace. At this point in Star Wars universe history, the Jedi Council has become complacent in their knowledge of the force. Too many years away from the struggle of light against dark have blurred the lines for them, until they see a simple trade dispute where a Sith uprising is in the works.

This seems to be a problem in my life as a Christian sometimes as well. I know the force isn’t meant to represent the spiritual realm in a Biblical sense, but there are often good parallels if you dig. Sometimes, I become like the Jedi Council, and let mundane, everyday issues, like trade disputes and history essays, to cloud my view of the fight that is going on around me all the time. When all indicators point to a need for spiritual revival in my life, I brush it off as something merely physical, like a federation blockade, rather than what it really is, an attack from the Sith.

Now, I’m not saying we should go looking for a demon, (or Darth Maul), behind every bush, but I am saying that we can’t lose sight of the reality of our world. There is no real divide between the sacred and the secular. Both the ordinary and the extraordinary are happening around us all the time. So, let’s not forget about the “bigger fish”- the battle going on between good and evil, the light and the dark.

Let’s also not forget that we are on the side of the biggest “fish” of them all. In the end, the light will always win.

Keep on glowing in the dark,

Elora

Visions of the Future: Sci-fi History Starter Pack

Over the past year or so, I’ve learned quite a bit about science fiction that I never knew before. Now, I can’t by any means claim to be an expert on the subject, but I have discovered a few fun things that I want to share. If you’ll remember, back in April, I made a “starter pack” of Star Trek episodes I thought would best introduce someone to the series. I’m going to do the same thing here, this time with some books, television episodes, and movies I’ve enjoyed watching, and think are a good introduction to science fiction history.

Novels of the 1800s-

1. Frankenstein by Mary Shelley (1818)-

Sometimes the classics are the hardest to get into. You hear about them all the time, but where do you start? Well, when it comes to science fiction, I suggest you start at the beginning, with Frankenstein by Mary Shelley. While the melodramatic ‘protagonist’, Dr. Victor Frankenstein, can be a bit long winded, his depth of insight, as well as the testimony of his creation, lay the groundwork for how sci-fi would explore the human condition.

2. 20,000 Leagues Under the Sea by Jules Verne (1870)-

Yes, there are a lot of descriptions of fish, but if you can accept that, you will be able to enjoy an entertaining precursor to space exploration stories such as Star Trek. The three main protagonists, as well as Captain Nemo are all very compelling. The interactions between Professor Aronnax, Ned Land, and Conseil even remind me of Captain Kirk, Mr. Spock, and Dr. McCoy a bit. If you are a sci-fi connoisseur or a hardcore Trekkie, this is a must-read.

3. Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (1886)-

Robert Louis Stevenson takes Shelley’s mad scientist and destructive creature and synthesizes them into the same person. This is one of those classics of literature where the title gets referenced and the plot gets recycled just about everywhere. It’s a quick read, too. I finished it in about one afternoon when I was reading it for a class.

4. The Time Machine by H.G. Wells (1895)-

Wells gets two spots on this list because he introduced so many of the classic sci-fi subgenres to the mainstream reading audience. While time travel had been played with before by the likes of Mark Twain, H.G. Wells was the first one to truly theorize about the methods of time travel- not just the results. Have you ever heard of time referred to as the fourth dimension? That’s because of The Time Machine. It’s also a pretty quick book to finish.

5. War of the Worlds by H.G. Wells (1897)-

When I started reading H.G. Wells and Jules Verne, I expected them to be a bit tedious, and was therefore amazed at how they kept me turning the pages. War of the Worlds is exciting. It’s terrifying. It’s compelling, and it is the quintessential alien invasion story.

Television Episodes-

Since the 1960s, one of the main ways sci-fi has reached the general public is through television. Shows like Star Trek and The Twilight Zone have made a lasting impact on our society. Here are ten sci-fi TV episodes that I think give a good overview of some of the best features of the genre.

1.  “Nightmare at 20,000 Feet” The Twilight Zone (1963)-

A fan-favorite, and a classic example of The Twilight Zone twist, this episode combines all the drama of William Shatner’s acting with all the eerie suspense of the show’s brilliant writing.

2. “The Production and Decay of Strange Particles” The Outer Limits (1964)-

If you haven’t watched The Outer Limits, you should definitely start. It’s like The Twilight Zone, but with hard sci-fi plots and happy endings. This episode is a great example of the fusion of a highly scientific concept with characters you grow to care about.

3. “The Aztecs” Doctor Who (1964)-

One of the very earliest adventures of William Hartnell’s first Doctor, this episode contains all the best elements of time travel sci-fi: intercultural confusion, the struggle over whether or not to interfere, and historical drama.

4. “Mirror, Mirror” Star Trek (1967)-

This is probably the best example of an alternate universe television episode there is. Or, at least it is the most iconic. Sure, it’s melodramatic, but that’s the fun of Star Trek. This episode takes everything you know about the Star Trek universe, and twists it just enough to make it creepy, but not so much as to make it overly dark. Plus, Mirror Spock has a goatee.

5. “The Schizoid Man” The Prisoner (1967)-

If you’re ready for a wacky, mod, surrealist adventure through the eyes of a man fighting to keep his individuality in a colorful, shiny, dystopia, you’re ready for The Prisoner. This gem of British television deserves to be watched in its entirety, (it’s only 17 episodes), but if you only have time for one, consider “The Schizoid Man”.  In it, protagonist Number Six, must fight for his sanity as his captors in The Village try to convince him by all methods at their disposal that he is someone else.

6. “Darmok” Star Trek: The Next Generation (1991)-

This episode boldly goes where no Star Trek episode has gone before, by exploring the intricacies of inter-cultural communication. Captain Picard spends time with an alien whose language is beyond the scope of the universal translator, and must learn to communicate with him.

7. “Never Fear” The New Batman Adventures (1997)-

Batman seems like a pretty fearless character, but it takes a dose of the Scarecrow’s anti-fear gas to show what his boundaries really are, and what will happen when he crosses them. This is also a great sidekick episode, as Robin (Tim Drake) has to be the one to reign Batman in.

8.  “Window of Opportunity” Stargate: SG-1 (2000)-

This episode demonstrates beautifully the way that Stargate: SG-1 was able to blend science fiction with humor, and emotional depth. There are a lot of hilarious beats as the SGC is trapped inside a ten-hour time loop, and Colonel O’Neill and Teal’C are the only ones who remember. However, it’s not simply a goofy episode, as the writers also explore some deep and emotional themes of grief and letting go.

9. “A Better World” Justice League (2003)-

This episode borrows from the ideas of Mirror, Mirror, and other alternate universe stories, and adds superheroes. The result is a study in the corrupting nature of absolute power, and the significance of every life.

10. “Dinosaurs on a Spaceship” Doctor Who (2012)-

When you take The Doctor and his companions, Cleopatra, a big game hunter from the turn of the century, dinosaurs and a villainous trader and put them on a space ship together, what do you get? You get exactly the type of quirky, adventurous, sci-fi romp we’ve all come to expect from Doctor Who. That’s what you get.

Films-

1. Metropolis (1927)-

This visually stunning dystopian story from the silent film era is a classic for a reason. It pairs impressive special effects with ahead-of-its-time social commentary for a truly memorable

masterpiece of science fiction.

2. Invasion of the Body Snatchers (1956)-

The aliens in this movie are horrifying in their invisibility. The paranoia and stress build throughout the movie to a cliff-hanger climax that has led to much speculation over the years as to the inspiration for the film.

3. Forbidden Planet (1956)-

This is the film that inspired Star Trek, Star Wars, and all the science fiction that came after them. If you’re a Trekkie or a Star Wars fan, you’re bound to recognize some element of the story or set that was pilfered for your favorite series. If you’re a sci-fi junkie, you’ll enjoy the Technicolor goodness, and the frightening revelations about the human condition.

4. Star Wars: A New Hope (1977)-

If you’ve never seen Star Wars before, I’m impressed. It’s best to start with the first one released. You’ll probably recognize the plot and characters from pop culture, but it’s exciting enough that you can still enjoy the ride after multiple viewings.

5. Star Trek II: The Wrath of Khan (1982)-

People who say that this is the best Star Trek movie ever are absolutely correct. It may seem dramatic to some, but it’s not supposed to be realistic. It’s supposed to be cinematic literature. Nicholas Meyer and Harve Bennett used all of the characters and actors from Gene Roddenberry’s groundbreaking 1960s show to their full potential in this one. Also, it’s my favorite movie ever, and I’m totally biased.

I’m still watching, reading, and listening, so I’m sure there are more things I’ll be able to add to this list in the future. Is there anything you would recommend to me? I’d love to hear about them. Let me know in the comments. I’m always game for good sci-fi!

Keep on glowing in the dark,

Elora

Visions of the Future: The 2010s- Here's to the Future

The closer we get to our present time in the study of history, the harder it is to see the meaning of the events we are studying. Hindsight is a wonderful gift, in that it enables us to put the pieces together, and figure out what really mattered- what really made an impact. This blog post is unique, in that I don’t know what people will still be talking about in twenty, ten, or even five years. The stories and ideas mentioned here are what I think have been impactful so far. What will be the defining characteristics of the 2010s? We still have half a decade to discover that.

Science Fiction:

Literature-

In 2010, Ian McDonald published The Dervish House, winner of the 2011 BSFA Award, as well as the 2011 John W. Campbell Award. It describes from various perspectives the aftermath of a bus bombing in Istanbul, Turkey.

The 2011 winner of the Hugo and Locus awards for best novella was Ted Chiang’s 2010 story, “The Lifecycle of Software Objects”, about a woman who raises an intelligence from simple AI to human-like consciousness.

The 2012 spoof Redshirts, by John Scalzi, won the 2013 Hugo and Locus Awards. It parodies Star Trek, (and similar science fiction shows), from the perspective of the “red shirts”- those expendable extras who never seem to make it back from away missions.

In 2011, Andy Weir published The Martian, which details the struggles of a stranded astronaut attempting to survive on Mars. The novel was adapted into a film in 2015.

Chinese author Liu Ci Xin wrote The Three Body Problem into 2008. It is an alternate history, in which aliens invade earth during China’s Cultural Revolution. It was translated into English in 2014, and won the Nebula Award for 2014, and the Hugo Award for 2015.

Television-

Continuum, a Canadian sci-fi show released in 2012, was about a group of future terrorists who travel to the present, and the police officer who was accidentally dragged along with them. It was created by Simon Barry, and starred Rachel Nichols as the displaced officer, Kiera Cameron.

The Marvel Cinematic Universe branched out into television in 2013 with Agents of S.H.I.E.L.D., starring  as a resurrected Agent Coulson. He and his team deal with the issues raised by superhumans and aliens, and must fight forces from outside the universe, and inside their own organization.

Film-

Christopher Nolan, known for his gritty, realistic style and mind-boggling plot twists, put out fan-favorite, Inception in 2010. It explores ideas of dreams and reality, and the thin line between them.

The culmination of the first phase of Marvel Cinematic Universe films took place in 2012 with The Avengers. The film saw an epic team-up between Captain America, Iron Man, Thor, The Hulk, Black Widow, and Hawkeye, as they learned to work together, and fought evil aliens led by Thor’s powerful and jealous younger brother, Loki.

The next year, J. J. Abrams released a sequel to his 2009 Star Trek reboot called Star Trek Into Darkness. It reintroduced feared villain Khan Noonien Singh, and had some parallels to the classic Star Trek film The Wrath of Khan.

A trend I have noticed over the past few years in film is what I would call “NASA sci-fi”- films portraying humans in the near future exploring space in ways that stay true to what we know can currently be done.

2013’s Gravity was the story of an American astronaut struggling to survive after being disconnected from the space station she worked on.

In 2014, Christopher Nolan’s Interstellar showed a group of astronauts attempting to find a solution to an ecological crisis in the not-too-distant future using ideas that are presently being studied by quantum physicists.

The Martian, by Andy Weir, was adapted in 2015, and seems to have a similar modern realism to that of Gravity and Interstellar.

Also, the rights to the Star Wars movies were sold to Disney studios, who hired J.J. Abrams to direct the first film in a new trilogy, The Force Awakens, released in 2015. You probably already knew that.

Thank you so much for sticking with me through this trek through history. I hope you’ve enjoyed it, and been enlightened or inspired in some way. I have personally learned so much through writing this series, and am looking forward to posting about some of my more specific insights in the future. The next post will be some of my recommendations for experiencing the highlights of sci-fi history. After that, I’ll briefly cover the first six Star Wars movies, and give my spoiler-free review of The Force Awakens. Then, I will finally get to work on blogging through all the episodes of Star Trek: The Original Series for the 50th anniversary of the show.

Thanks again!

Keep on glowing in the dark,

Elora